It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball.Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery.
Blurb taken from Goodreads.
*
Anybody who knows me knows how much I absolutely adore Pride and Prejudice. When I was a little girl, my mum had the BBC adaptation that we used to watch over and over again, and I fell in love with the story. It didn't take me long to read the novel, and since my teenage years, it had been my favourite book of all time.
I also am a huge fan of murder mysteries, so you'd think this would be the perfect book for me to get stuck into. However, I did have reservations about these beloved characters being manipulated and altered to fit the story of Death Comes to Pemberley, and I wasn't sure what to expect.
I did enjoy the book, and I especially appreciated how the author made an effort to keep the tone and style of writing, although modern, in keeping with Austen's original narrative. However, I think it was too much of a huge task to fit these characters into a convincing murder mystery, and I'm not sure it was entirely successful.
Enjoyable, but definitely with its limitations.
Rating: ✫✫✫
The Verdict
Overall, I have a lot of mixed feelings about Death Comes to Pemberley, and I'm not sure all of it could have been improved with changes.
On the positive side, I think the writing kept the integrity of Pride and Prejudice intact, and the use of the characters were actually very good. I loved the little details about their interactions, the background that was filled in about their lives, and just generally reading about them again. It was really quite comforting.
However, to write a murder mystery about already established characters means either making some bold decisions, or skirting around the existing boundaries, and I'm not sure either choice would ever sit entirely right with me. I'm glad P.D. James opted for the latter, but then it just felt that Jane Austen's characters weren't centre-stage which, as a reader, I really wanted them to be.
It's an awkward one, because I'm not sure there would ever be a sure-fire fix. I did enjoy it, but it definitely wasn't a complete hit for me.
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